Studies in the history of art
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Copy number Shelfmark Holding Tijds.807 Tijds.Studies in the histo.
TitleStudies in the history of art
Author
Place of publicationWashington DC
PublisherNational Gallery of Art
Year of publication1967
Illustrationsill.
Dimensions26 cm
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Parts Studies in the darkening of vermilion by light
a study of the pigments and the grounds used by Jan Vermeer
X-ray diffraction and the composition of lead white
Tapestry restauration at the National Gallery
The genesis of Raphael's 'Alba Madonna'
Claude : a problem in perspective
Claude's Psyche pendants : London and Cologne
Abbozzi and ricordi : new obeservations on Titian's technique
The painting materials and technique of Paul Gauguin
A method for examining and classifying Japanese papers used by artists in the late nineteenth century : the prints of James Abbott McNeill Whistler
Marks and signatures on ancient Flemish tapestries : a methodological contribution
The Museum Island in Berlin
Shrine of art or signature of a new nation? : the National Gallery(ies) in Berlin, 1848-1968
A mathematician's art
Vermeer : malice and misconception
The Camera Obscura and the painting in the sixteenth and seventeenth centuries
Vermeer's private allegories
a study of the pigments and the grounds used by Jan Vermeer
X-ray diffraction and the composition of lead white
Tapestry restauration at the National Gallery
The genesis of Raphael's 'Alba Madonna'
Claude : a problem in perspective
Claude's Psyche pendants : London and Cologne
Abbozzi and ricordi : new obeservations on Titian's technique
The painting materials and technique of Paul Gauguin
A method for examining and classifying Japanese papers used by artists in the late nineteenth century : the prints of James Abbott McNeill Whistler
Marks and signatures on ancient Flemish tapestries : a methodological contribution
The Museum Island in Berlin
Shrine of art or signature of a new nation? : the National Gallery(ies) in Berlin, 1848-1968
A mathematician's art
Vermeer : malice and misconception
The Camera Obscura and the painting in the sixteenth and seventeenth centuries
Vermeer's private allegories