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TitleThe Art Bulletin

Place of publicationNew York

Year of publication1913-...

Bibliographic Notes 1ste nummer 20 cm, vanaf Vol.5 (1922) 30 cm Bindgegevens: per jrg./4 nummers. (4) Voortzetting van: The Bulletin of the College Art Association

Copy number	Shelfmark	Holding
Tijds.12	100/4/A-C	Nr.1 (1913) t/m nr.4 (1918);Vol.2, nr.1 (1919) t/m vol.81, nr.4 (1999); Vol.83, nr.1 (mrt.2001) t/m vol.84, nr.4 (dec.2002); Vol.86, nr.1 (mrt.2004) t/m vol.88, nr.4 (dec.2006); vol.89, nr.2 (jun.2007) t/m vol.89, nr.4 (dec.2007); vol.90, nr.3 (sept.2008) t/m vol.92, nr.3 (sept.2010); vol.93, nr.3 (sept.2011) t/m vol.95, nr.2 (jun.2013)
Tijds.12 (17)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (18)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (19)	TIJDS.LOPEND.Art Bulletin (124)	Jrg.19 (nr.1, March 1937 - nr.4, December 1937)
Tijds.12 (20)	100/4/A-C	Jrg.20 (nr.1, March 1938 - nr.4, December 1938)
Tijds.12 (26)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (28)	TIJDS.LOPEND.Art Bulletin (124)	Jrg.28 (1946)
Tijds.12 (35)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (37)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (40)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (42)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (48)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (50)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (51)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (52)	TIJDS.LOPEND.Art Bulletin (124)	Jrg.52 (1970)
Tijds.12 (53)	TIJDS.LOPEND.Art Bulletin (124)	Jrg.53 (1971)
Tijds.12 (54)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (55)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (56)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (57)	TIJDS.LOPEND.Art Bulletin (124)	Jrg.57 (1975)
Tijds.12 (60)	TIJDS.LOPEND.Art Bulletin (124)	Jrg.60 (1978)
Tijds.12 (61)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (63)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (64)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (67)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (71)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (72)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (73)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (74)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (78)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (80)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (81)	TIJDS.LOPEND.Art Bulletin (124)	Jrg.81 (1999)
Tijds.12 (83)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (84)	TIJDS.LOPEND.Art Bulletin (124)
Tijds.12 (86)	TIJDS.LOPEND.Art Bulletin (124)	Jrg.86 (2004)

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PartsThe 'spook' in the machine : van Gogh's pictures of weavers in Brabant
The genesis and meaning of the cover design for the first Blaue Reiter exhibition catalogue
Men at work in dutch art, or keeping one's nose to the grindstone
Michelangelo's Times of Day : a study of their genesis
The sleeping nymph : origins of a humanist fountain type*
Rembrandt's "Polish" Rider
The 'Four Philosophers' by Rubens and the Pseudo-Seneca in seventeenth-century painting
Gabriel Metsu's Vegtable market at Amsterdam: seveteenth-century Dutch market paintings and horticulture
The Friedsam annunciation and the problem of the Ghent altarpiece
The early Haarlem school of painting: I. Ouwater and the Master of the Tiburtine Sibyl
The early Haarlem school of painting: II. Geertgen tot Sint Jans
Carel and Barent Fabritius
Bosch's image of poverty
Views of Haarlem : a reconsideration of Ruisdael and Rembrandt
Rembrandt's tree stump : an iconographic attribute of St. Jerome
Italian primitives at Konopiste
A second Meléndez self-portrait : the artist as still-life
Book reviews : Richard Cocke, Pier Francesco Mola, Oxford, Clarendon Press, 1972
God in the details : Bosch and judgement(s)
Exhibition reviews : Pieter Bruegel the Elder : the draftsman revealed
Between cult and culture : Bamiyan, islamic iconoclasm, and the museum
French art of the present in Hitler's Berlin
Origins and meanings of Rembrandt's late drawing style
Country folk and city business : a print series by Jan van de Velde
Rembrandt's early double portraits and the Dutch conversation piece
The early Haarlem school of painting, part III : the problem of Geertgen tot Sint Jans and Jan Mostaert*
Ruben's theory and practice of the imitation of art
The use of sculptural models by painters in fifteenth-century Italy
"Depositio et Elevatio" : The Symbolism of the Seilern Triptych*
A proposed reconstruction of an altarpiece by Rogier van der Weyden*
Moral choice in some paintings by Caravaggio and his followers
"Abstract" art as a veil : tricolor painting in Vichy France, 1940-44
Francisco Pacheco and Jerome Nadal : new light on the Flemish sources of the Spanish "picture-within-the-picture
Artists and "Rederrijkers" in the age of Bruegel
Pieter Bruegel's "Children's Games", folly, and chance
Pope Paul III's additions to Raphael's Logge : his "imprese" in the Logge
Some Flemish popular prints from Hieronymus Cock and his contemporaries
Antique sources of Leonardo's "Leda"
The origin of the vested angel as a eucharistic symbol in Flemish painting
Watteau's "Reclining Nude" and the "Remedy" theme
A new look at the "Friedsam Annunciation"
Edgar Degas and the Bellellis
Persians and Persian costumes in Dutch painting of the seventeenth century
Van Eyck's Washington "Annunciation" : technical evidence for iconographic development
Aertsen's kitchen and market scenes : audience and innovation in northern art
Mattia Preti
The prototypical triangle of Paul Klee
Bruegel the Elder, Pieter Aertsen, and the beginnings of genre
Hidden symbolism in Jan van Eyck's Annunciations